George Carlin Doin It Again Transcript
Nigh the Documentary
The Holocaust would seem to be an absolutely off-limits topic for comedy. But is it? History shows that even victims of Nazi concentration camps used humor equally a means of survival and resistance. Nonetheless, any use of comedy in connection with this horror risks diminishing the suffering of millions. So where is the line? If the Holocaust is taboo, what are the implications for other controversial subjects — 9/xi, AIDS, racism — in a society that prizes freedom of voice communication?
The Last Laugh offers fresh insights into these questions, with an intimate portrayal of Auschwitz survivor Renee Firestone aslope interviews with influential comedians and thinkers ranging from Mel Brooks, Sarah Silverman, Jeff Ross (Comedy Cardinal Roast Battle), Larry Charles (director of Curb Your Enthusiasm and Borat), and Gilbert Gottfried, to authors Etgar Keret and Shalom Auslander, plus Abraham Foxman of the Anti-Defamation League. The film also includes rare archival footage of cabarets inside the concentration camps themselves, as well as clips ranging from The Producers to Curb Your Enthusiasm, video of performances from comics Louis CK, George Carlin, and Chris Stone, and newly discovered footage of Jerry Lewis's never-released Holocaust comedy The Twenty-four hours the Clown Cried.
Mel Brooks has fabricated a career out of making fun of Nazis, calling it "revenge through ridicule." Yet the Holocaust itself is a discipline he won't touch. Not and then for Sarah Silverman or Judy Gilded or the late Joan Rivers. From Hogan's Heroes, to Seinfeld'south "Soup Nazi," mainstream popular culture has pushed the envelope of what is considered acceptable. As Rob Reiner notes in the film: "The Holocaust itself is not funny. There's zip funny about it. But survival, and what it takes to survive, there tin be humour in that."
The Filmmakers
Ferne Pearlstein, an American filmmaker based in New York City, holds post-graduate degrees in documentary film and photography from Stanford Academy and the International Center of Photography. In 2003, Pearlstein's documentary Sumo Due east and West premiered at the Tribeca, Los Angeles, and Melbourne International Film Festivals, and was shown nationwide on Independent Lens. Other credits equally manager include Dita and the Family Business organization (PBS) with Josh Taylor, and iii short films, including her debut Raising Nicholas, which premiered at the Sundance and San Francisco Gay and Lesbian Film Festivals. As a director of photography with dozens of films to her credit, Pearlstein is ane of only a handful of female cinematographers featured in Kodak's long-running "On Film" advertisement entrada in American Cinematographer magazine. In 2004 she won the Excellence in Cinematography Prize at Sundance for her work on Imelda, which followed one-time First Lady of the Philippines Imelda Marcos during her entrada for the presidency. Amongst her other credits as cinematographer are: Academy Laurels®-winner Alex Gibney'south segment of Freakonomics; Ruthie and Connie (HBO); and The Voice of the Prophet where she met her longtime collaborator and husband Robert Edwards.
Based in New York Urban center, Robert Edwards is a graduate of Stanford University'southward Main's Programme in Documentary Picture show and a onetime infantry and intelligence officer in the U.s.a. Regular army in Europe, the U.S., and the Middle East, including service with a parachute infantry regiment in Iraq in the Persian Gulf State of war. His award-winning film Paranoia, inspired by a skydiving blow in which he broke his back, has been screened and broadcast on television and at movie festivals in more than a dozen countries. Among his credits as an editor are Barry Levinson's characteristic-length documentary Yesterday'due south Tomorrows for Showtime, function of a traveling exhibition of the Smithsonian Institution; Abased: The Expose of America'due south Immigrants, for PBS, which won a DuPont-Columbia Journalism Award; Stopwatch, a PBS documentary by Bill Bailiwick of jersey and Michael Schwarz; and In Search of Law and Order: Catching Them Early, the final episode in the landmark iii-part serial on juvenile justice directed past Ray Telles and produced by Michael Schwarz and Roger Graef for PBS and Channel 4. His documentary curt The Voice of the Prophet, an interview with Rick Rescorla, a veteran of three wars and head of security for Morgan Stanley Dean Witter who was killed in the September 11 attack on the World Trade Middle, screened at the 2002 Sundance Picture Festival. Edwards recently won a Nicholl Fellowship in Screenwriting from the University of Motion Picture Arts and Sciences for his screenplay State of the Bullheaded.
Total Credits Documentaries Available to Watch Now
Source: https://www.pbs.org/independentlens/documentaries/last-laugh/
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